Ordinary People (1980)

 

I might consider putting this movie in my top 10 list of best movies. It's absolutely amazing that for his directorial debut, Robert Redford created such a masterpiece. Now it was not all due to him, as the story was so well-written and the acting is dead on for all the characters. Part of the reason I love it so much might be because I was a psychotherapist before becoming a school teacher (mid-life crisis, you know). And, having worked with dysfunctional families, this movie gets it right time and time again. Therapy is not a miracle cure that takes effect almost immediately (like in GOOD WILL HUNTING) and the parents BOTH have a strong role in keeping the family sickness alive. Donald Sutherland is the enabler who denies there is a problem--even after one son dies by accident and the other attempts suicide. He also cannot face that the family's dysfunction is mostly controlled and maintained by his very disturbed wife, played wonderfully by Mary Tyler Moore. She is not mentally ill but has a very sick personality, as she is cold as ice emotionally and deals with problems through massive amounts of denial as well as stuffing her anger WAY down deep. Timothy Hutton is, despite his being the patient, the healthiest one in the family, as his suicide attempt is a strong cry for help. Finally, Judd Hirsch plays the therapist--and one of the most realistically portrayed therapists on film. He has no miracle cure but tries his best to get Hutton, and later Sutherland, to work hard at uncovering their dysfunction. Again and again and again, the viewer is rewarded by a brutally honest script that is about people who would be real--not Hollywood's idea of "people". The film is neither manipulative nor condescending--this is the way more films SHOULD be.

In addition, as I have watched the film several times, I keep noticing just how perfect the direction was. How wonderfully framed the shots were, how wonderfully the music fit in and how unflinching the movie dealt with pain. In particular, I love the scene with Sutherland at the psychiatrist's office as he talks about his marriage....and his eyes keep looking away and avoiding the doctor as he says how much he loves her. And the great Christmas photo scene--it just screams out "this is real!!". For this to be Robert Redford's directorial debut is absolutely amazing and he surely earned that Best Director Oscar.

FYI--although this movie is rated R, it is only for language. There are a few REALLY CHOICE WORDS used here and there, but otherwise this is a great movie for teens. If filmed today, this would no doubt be a PG-13 film. I am a very conservative parent, and yet I found this to be totally acceptable for my 15 year-old. It's a great film to watch WITH your kids and discuss what you see.

The Natural (1984)

 

"The Natural" is a strange move by any sense of the imagination. One minute, it can be as serious as any movie ever made. The next minute, an outfielder crashes through the wall, dies, and has his ashes spread over the field in a later game. Despite the oddities that pop up here and there, though, "The Natural" remains a classic for one simple reason: it will move you emotionally in the end.

For a basic plot summary, "The Natural" tells the story of Roy Hobbs (Robert Redford), a young pitcher who seems to have the world on a string on his way to the major leagues. When a freak accident takes him out of the game for many years, though, he comes back a wily, grizzled veteran just hoping for another chance. He gets that chance with the Knights, coached by Pop Fisher (Wilford Brimley). While figures such as the team owner (Robert Prosky) and prominent sports writer Max Mercy (Robert Duvall) want to see him fail, Hobbs shows the type of perseverance that legends are made of.

Like I said in the opening, "The Natural" can be a really strange movie at times. It's almost like director Barry Levinson doesn't quite understand how strange his dramatic tone shifts were as the film rolls along. While some view this as quirky and giving the movie its own style, I see it as a negative (the only reason it doesn't get my full five stars and vault into "Field of Dreams" territory).

That being said, "The Natural" does more than enough things right to still remain a classic movie. Certain sequences (striking out The Whammer (Joe Don Baker), "pick me out a winner, Bobby", etc.) are now etched into iconic film & baseball lore. Then, of course, there is that ending. I don't care how cheesy you might have thought the movie up until that point was, but if that final scene doesn't move you to tears, you probably have a stone in place of a heart. When it comes to "greatest single scene in a baseball movie of all-time", Hobbs' final at-bat probably takes home the prize.

One must also comment on the music of "The Natural", as that is part of the reason why it resonates on such an emotional level. I don't think I could name too many soundtracks that top this one. The main theme is now a mainstay, and it seems like all the scenes in the film are backed by the perfect instrumentals.

Overall, "The Natural" is a slice of "baseball Americana", if not a perfect one. There are moments that will probably make you shake your head out of weirdness, but more often than not you will find yourself falling for Roy Hobbs and his quest for the American dream...baseball style.

Out of Africa (1985)

 

Watching Meryl Streep in 2011's The Iron Lady and in 1985s Out of Africa gave me two different results. While in both of them, Meryl gave her best shot, the director's approach towards the actress is very different. In Out of Africa, Meryl's character Karen is a hardworking, independent, strong-willed young baroness/plantation worker later author, while in The Iron Lady, she oscillates between an eighty year old dementia-suffering Thatcher and a middle-aged Thatcher, both authoritative.

While I do understand Phyllida's attempt to have Meryl foreshadow others to show Thatcher's dominance, the movie itself became a one-woman show that barely gave a s*** about the supporting cast. While in Out of Africa, Pollock never resorts to showy camera work to highlight Meryl. The camera moves through the picturesque Africa and the beautiful Meryl so naturally as if the cameraman was lost in the beauty of the entire place. While Meryl is a marvel, Pollock himself is a wise man who gave the picture an independent existence. The Iron Lady will always remain Meryl's Iron Lady.

Based on a true story, Out of Africa shows Karen Blixen's life as she adjusts to the African lifestyle while romancing Denys (Redford) and divorcing Bror (Klaus). The opening itself talks of the farm at the foot of the Ngong Hills and is voiced by Streep in a very distinctive accent. Many of her performances, especially the ones where she uses accents, are slightly difficult to accept first but shine later, even though she does sound like Sly Stallone at times, especially when she says in one scene "I want you to COME HOME". Karen marries Bror to retain her title of baroness and moves to Africa. Bror uses her money against her wishes and doesn't take care of her properly. Karen meets Denys and another guy, and invites them to her home. Both the guys are attracted to her but things go awry for one. Denys and Karen fall in love but Denys lives a very different life, independent like Karen but in a nomadic way. Karen runs the entire farm, opens up a school and acquaints and adjusts herself with the Africans.

Pollack has handled the movie tactfully, and the film is enriched by fine performances. The green verdant lands of Africa with the pastoral huts of the Africans on one hand and the lavishness of the Britishers on the other can be seen. There is this lovely scene where the tribe chief tells Karen that only tall children will go to school. When Karen tells him that sending kids would be very wise of him, the African replies that the Britishers have learned to read, but it has not helped them in any way. Still, the farmers hold respect for Karen's caring nature.

Clocking at 2 hours and 40 minutes, Out of Africa is like a landscape of a beautiful bird on its mighty flight over the flowing rivers and the dense forests. My Rating: 8 out of 10